that's a wrap
www.mirror.co.uk
As a writer, I would like to think of intertextuality as a sort of literature reconditioning that a writer does to reestablish, reconnect or even modernize forgotten literature that may no longer be relatable in terms of discourse of a contemporary society. As an author, anyone is able to utilize their mastery of any form of technology to accomplish this goal. For example, a scriptwriter would have to transform the 19th century discourse of Jane Austen’s Emma into the film adaption for Clueless to appeal to a young audience in the 20th century. Although I am able to point to Jane Austin for the framework, I can understand the context because of writer Amy Heckerling’s efforts to not only make the story her own, but relatable to today's audience.